Interjection Calendar
The Interjection Calendar is an online project, devised and hosted by Montez Press. Each month an artist or writer is commissioned to produce a new piece of work for release on our website. The PDF can be downloaded for free and there are 12 releases per year, in line with the calendar theme. At the end of the year the collection is published, demonstrating a diverse range of collaborations and experimental works. The calendar reflects the current importance of online content media, pushing image/text relationships in this domain through contemporary art writing.

2025/05 Shanzhai Lyric – Incomplete Poem (Scent)

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Shanzhai Lyric (est. 2015) is a body of research focusing on radical logistics and linguistics through the prism of technological aberration and nonofficial cultures. The project takes inspiration from the experimental Englishes of shanzhai t-shirts, mostly made in China and proliferating across the globe, to examine how the language of the counterfeit uses mimicry, hybridity, and permutation to both revel in and reveal the artifice of global hierarchies. Through an ever-growing archive of poetry-garments, Shanzhai Lyric explores the potential of mis-translation and nonsense as utopian world-making (breaking) and has previously taken the form of poetry-lecture, essay, and installation.

Image credits: @akidearest @womenshistorymuseum @erchenchang @migeuleandjello @gourdtimes @brunozhu @goodshirts @chinatshirts @2karatgold @gatarisk @violetlightandahum @babak2000 @uglydesign @flushingfinds @jonahbaseball @wm_10218

2025/04 Elida Silvey – Chemotaxis on a Zebra Crossing

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Elida Silvey is a self-taught Mexican-American writer, editor and artist living in London. Her work is concerned with post-internet visual theory as it relates to the concepts of reality, time and 'the self,’ experienced through (collective) memory. She regularly writes in experimental forms about this topic on her Substack, Through the Eye of a Needle. She is the assistant editor for Montez Press and runs her own writing/visual arts club called Exteriors.

2025/03 Eilidh Duffy – Beauty from Below: Heaux Cosmetics and the Power of Pheromones

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Eilidh Duffy is an editor, researcher and critic who is obsessed with dress and the body and its relationship to social and political upheaval both historically and in the present day. She’s written a fair bit for style titles in the UK (how she makes most of her money) while producing essays for journals and galleries (for less money but significantly more fun). She edits-slash-curates the fashion history journal-slash-project Bog (@bog.100) which is currently ‘on ice’ while she finishes her MA in the History of Design at the RCA/V&A. One day she will make a website where you can see all of her work in one place but for now she is working out how to make one.

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